BIO
Allan André stands as a Canadian multi-disciplinary artist of Haitian heritage, his creative journey unfolding against the backdrop of Ottawa, Canada. A figure of both artistic prowess and community dedication, Allan's work weaves together an intricate tapestry of expression and engagement. As a founding member of the Ottawa Black Artist Collective (OBAK), Allan André has carved a niche in advocating for representation and inclusion within the local arts scene. OBAK stands as a testament to his commitment to amplifying marginalized voices and fostering a space where underrepresented narratives can find resonance and visibility. Central to Allan's endeavors are his roles as curator and founder. The exhibitions "See Me Now 2020" and "See Me Now 2021" underscore his capacity to curate experiences that challenge perspectives and ignite conversations. In parallel, his brainchild "opncnvs" alongside creative Kenneth Antonio seeks to create public artistic studios, yet another manifestation of his dedication to facilitating creative endeavors for all and empowering fellow creators. Beyond the spotlight, Allan's artistic footprint spans across borders. His works have graced exhibits not only in Ottawa, but also in prominent art centers like New York, Orlando, Toronto, and Montreal. His contributions also extend to Ottawa's "Nuit Blanche," where his installations, bathed in the city's nocturnal glow, have captivated viewers with their immersive narratives. Recognized for his rapid creation skills, Allan achieved consecutive victories at the Art Battle Canada competition, clinching the Ottawa regional championship in 2014, 2016, and 2019, and subsequently securing the Art Battle National Championship in 2016, 2019, and 2022. His triumphs as a speed painter are a testament to his ability to infuse dynamism and emotion into his work. Amid his artistic pursuits, Allan's impact is notably grounded in community engagement. Collaborating with artist Kalkidan Assefa, he crafted a tribute to Sandra Bland in response to the defacement of a "Black Lives Matter" message on Ottawa's Tech Wall. His presence also graced the realm of television, where he emerged victorious on CBC's "Crash Gallery," further showcasing his artistic versatility. Reflecting on his journey, Allan André's philosophy echoes a sentiment of shared existence as art. His words, "We live in a collective masterpiece," reflect his belief in the interconnectedness of human experiences and the transformative potential of each individual's narrative. This perspective underscores his commitment to inspire others to question, challenge, and etch their stories onto the canvas of our shared human narrative. Allan André's narrative is one of resilience, advocacy, and creative exploration. Through his endeavors, he reminds us that art is not confined to canvas; it extends to the walls we break down, the conversations we ignite, and the change we champion. Allan's journey is ongoing, marked by his dedication to evolving the artistic landscape and fostering a legacy that transcends artistic mediums and reverberates through the currents of time. |